KUSC’s Alan Chapman has a lot to say about music, but can he say it in 60 seconds? That’s the Chapman Challenge. We ask a question and Alan has a minute to answer it.
Today’s question comes from Stephen Willson who asks: Is there some underlying relationship among the movements in a symphony?
Hit play below to listen to this week’s Chapman Challenge on Arts Alive.
At the very least there are harmonic relationships among the movements of a symphony. We expect the first and last movements to be in the same key. As for the inner movements, there are various options, including whether they’re in major or minor keys. And these choices are part of a composer’s overall design of a symphony.
There are often melodic aspects that contribute to the cohesiveness of a symphony. A prominent theme may appear in more than one movement, often with some sort of modification. Or they may be smaller scale musical ideas that are shared by multiple movements and those ideas may be melodic or rhythmic.
For example, in the third movement of Beethoven’s Fifth Symphony, there’s a reference to the famous rhythm of the first movement.
And in the midst of the fourth and final movement, an unexpected echo of the third movement.
That’s today’s Chapman Challenge. Is there a question you’d like to have answered in 60 seconds? Send it to us at [email protected]
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Alan Chapman
Alan Chapman, in addition to his weekday morning program, is also the host and producer of two weekend programs: Modern Times and A Musical Offering.
After receiving his undergraduate degree from the Massachusetts Institute of Technology, he earned a Ph.D. in music theory from Yale University. He is currently a member of the music theory faculty of the Colburn Conservatory. He was a longtime member of the music faculty at Occidental College and has also been a visiting professor at UCLA and UC Santa Barbara. His analytical work has appeared in the Journal of Music Theory and in The New Orpheus: Essays on Kurt Weill, winner of the Deems Taylor Award for excellence in writing on music.
Well known as a pre-concert lecturer, Alan has been a regular speaker on the L.A. Philharmonic's "Upbeat Live" series since its inception in 1984. He also works closely with the Los Angeles Master Chorale and Pacific Symphony. His lectures have been presented by virtually every major performing organization in southern California. He has been heard globally as programmer and host of the inflight classical channel on Delta Airlines.
Alan is also active as a composer/lyricist. His songs have been performed and recorded by many artists around the world and have been honored by ASCAP, the Johnny Mercer Foundation, and the Manhattan Association of Cabarets. His children's opera Les Moose: The Operatic Adventures of Rocky and Bullwinkle was commissioned by LA Opera for its 1997-98 season. Alan frequently appears in cabaret evenings with his wife, soprano Karen Benjamin. They made their Carnegie Hall debut in 2000 and performed at Lincoln Center in 2006. Their recent CD, Que Será, Será: The Songs of Livingston and Evans, features the late Ray Evans telling the stories behind such beloved songs as "Mona Lisa" and "Silver Bells."
